Steal Like artist Communist [Oleg Kleonov] (fb2) читать постранично, страница - 3

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problem.

Maybe you're scared to start. It happens. This is a defense mechanism developed by humans so that they do not touch any new things unnecessarily. For example, they didn't jump on rocks or touch any snakes. Well, here you need to understand that it is difficult for everyone to get used to it, only the help of your friends will help you here.

As one partisangirl said

"Оne smile from a comrade removes all fear and fatigue"



Happy summer in a labor camp Superov (SUPERLAG) in Kolyma

Let it be just a game at first

«It's the devil's toy, YesDJi!»

– Kama Bullet, candidate for master of sports


Bourgeois capitalists offer their artists to play artists until they become them. Reading this in Russian – I didn't have any questions. After all, playing like football, not playing professionally, playing poorly, having fun-this is good and normal. But our favorite enemies of the people want us to play like actors in the theater.

And it's funny.

1. pretend to be someone you are not; copy until you are successful, until people see you as you want to be; or

2. Pretend to do something until you actually do it.

They are satisfied with both interpretations – you need to perform a ritual, dress in the artist's textures (and where do they sell these?) and after the ceremony, everything will be very cool.

Enemies of the people are inspired by the book "Just Kids" by singer Patti Smith. This is the story of two friends who aspired to become artists and came to new York for this purpose. They pretended to be artists. In the strangest scene, Patti Smith and her friend, photographer Robert Mapplethorpe, dressed up in all their Bohemian Gypsy outfits and went to Washington square Park, a popular walking spot. Their appearance attracted the attention of an elderly couple of tourists. The wife told her husband: "Let's take a picture of them. I think they are artists." "'No, come on, they're just little dibs, '" her husband said. Let's put aside these funny nonsense of capitalists. They have an even funnier nonsense where everyone can get rich just by working hard.

However, you can play as well as play airsoft, volleyball, and so on. What I want to say: "Creative work is also a kind of game." In your case, the arena for the game is your audience, friends, in the society of artists or on the Internet, they all look at your work and see the beauty. And you look at their faces with a satisfied face and feel like a master.

And here is the most important thing. Playing in humans and in all animals is a training exercise. Only in humans is this a means to lose time and can bend the back to scoliosis. The same airsoft – you did not die, but took off your nerves, and ran with armor and a Kalash. Everything is very cool.

Or all sorts of catch-up in childhood – this is a warm-up of the body, a jog. The bottom line is that you can't run away from a tiger and a bullet, but you can run away from a ball and your peers.

Most importantly-running from a bullet – the price of a mistake is death. And if you are hit by a ball-you need to go to respawn. Plus the game is cheaper.

It's the same here. You're an aspiring artist. Draw whatever you can, just whatever you want. Play. No one will judge you, and if you succeed, everyone will praise you. Play and have fun. Maybe you'll start drawing seriously. You can also play there, but not in pairs in an artist's shop or in paintings for sale, of course.

Play until you realize that it's so cool that you're ready to do it all your life.




Learn by repeating

People are born simple beings, a resource, if you will. And from this resource at the "factory", that is, kindergarten, school, army and University, they are already making citizens. Children repeat after their parents, teachers, and older children.



When we say repetition, we are talking about practice. This is not plagiarism, if it is not an attempt to pass off someone else's work as your own. You learned to write by copying the alphabet. Musicians learn by playing scales. Artists learn by copying masterpieces of painting.

Capitalists suggest putting the question like this: "we need to decide who to copy. And then what.". Well, it is immediately clear what the bourgeois capitalists will tell us next. Copy who you like, and copy what you like from him.

That's great advice, I'll just clap and then go wash my hands of it.

We understand, of course, that you pendos have a very bad education. But even in bourgeois times we have art schools for school children and art schools. In most cases, they are free. They all have textbooks on painting and so on. And comrades from the Northern pirate fleet have long been selling them on torrents at a 100% discount.

So we Communists can only advise you to study exactly what you need in specialized courses, whether they are courses on the Internet or textbooks.

And only having already frolicked to the minimum level is worth imitating someone.

And not to someone as a person, but to the direction, type, or even tradition of art.

Steal like Communist

Gary Panter's animator said: "If you were influenced by one person, everyone will say that you are a follower. But try to Rob a hundred people, and you will be called an original!". The bourgeois intelligentsia sells art, and therefore considers itself the leader of opinions. However, her role in society is a political prostitute who tries to earn money. That's why they steal successful ideas, because their idea is profit. And even if they have their own ideas, they suppress them or distort them for profit.

Our business is to convey ideas, use pictures, films and songs as bombs and shells. Therefore, if we copy the enemy's art, we do not hide it. On the contrary, we directly tell the author that some things in his work came out great, but he did not disclose them or made mistakes. Or we can do the same, only better. And let the capitalist pig explode with anger, but we do not accept copyright in the capitalist sense. That's why he won't get any money from us.

We socialists need to take elite art away from the enemies of the people. In the beginning, we will only steal. It seems from a moral point of view bad. But the capitalists also steal surplus value from the people. They also stole from us – all this social agenda like SJW, and even earlier all sorts of Narodniks and social Democrats-all of them are just an attempt to create manual Communists. Moreover, they have created their own trade unions and even their own "Communist" parties, which only serve capital. Regarding art, most of the art is created by the people, by ordinary people. And only a small part was created by the tame dogs of the capitalists – all sorts of greedy intellectuals.

«Therefore, we will take what is rightfully ours. We will get rid of the dictatorship of profit, the censorship of the rich. We will give the people a voice and present it to the world. People are aware of the power of their own voice and thoughts.»

– Felix Edmundovich Dzerzhinsky, civil war film Director

After some time, we will create our own heroes, artists, singers and others, they will be stronger and more talented than all the existing people of art who lived under capitalism. In the meantime, we need the expropriation of art, its socialization. There is nothing wrong with studying and repeating other people's work. But it's one thing to learn and do new things, or develop the old, or show the old better by removing mistakes and taking the best frame with the best image quality. And another thing is to remove the bourgeois remakes with removesthe that everyone hates. Just learning to take the good and do not repeat the mistakes of our opponents.

10 rules of revolutionary creativity

Oleg Kleonov


Oleg Kleonov is an artist and poet, author of the collection "newspaper Pravda in our days", "departure of darkness", "proletarian poem". In January 2020, in his blog, he formulated the rules of revolutionary creativity, which instantly made him famous. Labor & drawing translated this Manifesto about life, work, the Internet, communication, and creativity.




The protests in America that we deserve




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